Dog Star Omnibus: Michele Wolfman

Welcome back. This post covers issues 26 (May 1986) through 33 (Dec 1986).

Sorry about the barcode.

This is a good stretch of issues. I didn't realize until I sat down to do these that I've been missing issue #28 all these years that I've been moving this box of Trek comics from place to place. The plot for that one (from the wiki) is: "McCoy story written by a registered nurse. Comic debuts of Pocket Books novel original characters, Lia Burke and Dr Tom Krejci. Referenced are Athende the Sulamid and Avoca."

Little of that makes any sense to me, but the registered nurse in question is Diane Duane, who wrote the two-parter discussed two TWTVs ago. Kind of an odd way to allude to her, no? Unless they mean the story itself is from the perspective of a registered nurse? Oh well.

#26. The Surak is sent to study the planet Verdee. (The planet from a few posts ago) A member of the landing party (a conspicuously introduced Felicia Mello) fails to materialize after transport.

Working with Lt. Brinks and the other crew on the ship, Spock and the other soon discover there are Romulans hidden on the planet, capturing their crew members (first Felicia, then Brinks herself) with a phase weapon of some kind.

I like this Surak crew. Spock in command of a science ship getting into Starfleet shenanigans would've been a fine thing to do in the 80s. Or the 70s or the 00s for that matter. There's an intriguing thematic overlap with the Romulans/ phase weapon of “The Next Phase” going on here - the dice-throwing-instigator part of my brain is always trying to make "Did TNG and subsequent movies take plots from the DC comic?" happen - but I suspect it's more of a callback to "The Tholian Web."

And with that:

#27. A day in the life of the Excelsior.

Chekov wants to come up with a drill that really tests the crew so he tinkers with some systems and wreaks some minor havoc. Saavik endeavors to understand human relations and questions Kirk and Bones on mating customs. Sulu heads a class on fencing and begins a romance with Lt. Morelli.

To answer its author's call up there (editor Robert Greenberger), I really enjoyed this one. A nice slice of life story which neither gets too bogged down in inconsequentials while still moving things along with character development.

I should shout out to Michele Wolfman's coloring job more often. She really does a good job on this series.

I actually had no idea she had the number of credits she did. Kudos - she worked especially well with the Sutton/ Villagran style.

This above is from a later issue, actually, but still.

#29. Commander Thimon, an Andorian, leads an away mission just prior to his retirement on an uncharted planet just outside known space. The landing party is attacked by phaser-resistant giant apes, who maul Lt. Konom and a Tellarite officer. Ensign Bearclaw insubordinates and kills his way to freedom.

The entire point of this attack is to see if the insides of the alien ape are as phaser-resistant as the outside. But does it look like he's shooting down his throat, or under his chin? You make the call.

They’re really leaning into Bearclaw’s bigotry and unpleasantness. He hates himself as much as anyone else but still kind of a repetitive note. Here it works pretty well as contrasted to the sentiments of the senior leadership.

A letter column in a later issue draws attention to the number of Beverly Hillbillies references going on. There’s also this cute panel as Yeoman Hathaway (presumably Jane Hathaway) gets after the Admiral for some old business he has to clean up...

#30. The Excelsior assumes orbit around Tally, a M-class planet in its last hours of life. While preparing the ship to record the demise, they pick up a faint distress signal with Enterprise’s signature, the shuttlecraft Kepler, left there years ago during the Enterprise’s original five year mission. Uhura relays the story to Saavik of the last time they were there, which turns out to be the story of her first (rogue) command, when she saved Kirk, Spock, and the gang from the Klingons.

The art is by Carmine Infantino, which I didn't realize until this panel right here:

He has certain unmistakable illustrative tics. (The other two I can think of are the distinctive saucer eyes of any alien he drew back in the Mystery in Space et al. days and that one odd, running pose he uses a lot. No examples at the ready alas.)

This was another one I really liked. The Sulu or Uhura specific Pocket Books I read never really did it for me - although in fairness I don't recall many, spotlighting any character. But so far these side adventures in the comic have been fun. Someone somewhere said this comic is the first appearance of "Nyota," but that seems wrong. It'd have been in the Trek bible anyway (I don't recall if it was in the World of Star Trek by David Gerrold book). Does anyone out there know definitively: where did Uhura's first name get used first?

#31 and #32. – “Maggie’s Planet.” A planet claimed by both the Klingons and the Federation had a ten year contest to see who could develop it faster. The Klingons are winning, though the Federation’s way is more ecologically sound. The planet and its natives anachronistically belong to “Maggie,” straight out of central casting with his hot-blooded space Mexican wife.

Complications ensue when the popinjay ambassador sent to negotiate works to sabotage the event, and Captain Koloth returns to represent the Klingons. (Wait a minute, Koloth? Didn’t he die back in the first few issues?)

This is a very un-Trek like story, more or less just a western/ Age of Empire story.

Ay caramba.

We're a long way from the end of "What Are Little Girls Made Of".

#33. Who are these people on the cover? Please tell me that is not Uhura. Is that supposed to be Bones? Chekov?

This sequel to “Tomorrow Is Yesterday” was the series’ contribution to the franchise’s twentieth anniversary. And a worthy one (despite some gaffes here and there with details, as lovingly called out in lettercols to come). The Enterprise overshoots its own time and arrives in the time of the Excelsior, where the two crews must work together to stop the universe from unraveling. Why? Some typical Trek hibbity-swibbity but we know the real reason is that the two eras are simply two damn awesome to exist at the same time. No timeline can hog all of that to itself.

Interesting that the comic’s twentieth anniversary tribute involved a slingshot around the sun as well, same as The Voyage Home. Looking back/ time travel was written into the commemoration that year. I don't know if they got the idea from learning the movie was going to do it or if both were independently inspired by a re-run of "Tomorrow Is Yesterday."

Good stuff, though. I like that it's mostly about the two crews interacting. The problem they have to solve is mostly maguffin stuff.

And now: all the pics left over in my folder.

Until next time.

I like the internal continuity of this moment.
Spock from the TOS era has never known Saavik as a grown woman.

Eww or Aww? I say aww. Although that really doesn't look much like Yeoman Rand.

Lt. Brinks from the Surak.

Good night, Uhura.

Let's have a look at the adaptation of the DC comics adaptation of:

I won't bother recounting the plot - y'all know the plot - so let's just riff on some things. I love Search for Spock, still, after all these years. If you don't, this adaptation likely won't sway you in any one direction. Unless comics adaptations annoy you, in which case, likely negatively.

The DC gang were working from the shooting script, so several scenes that were ad-libbed or added during production don't make it into the adaptation, such as during the McCoy jailbreak scene, where Uhura turns the tables on Mr. Adventure (Joysticks' Scott McGinnis) or when Sulu manhandles the security guy ("Don't call me Tiny.")

In general, the secondary cast has been underutilized in the DC series so far.

A couple of scenes related to David's death are different. In the film, Kirk stumbles upon learning the news and falls out of his chair. The stumble was not planned, but Nimoy thought it worked well so they kept it in. And on the surface, Kirk silently walks to his son's corpse and removes his coat to drape it over him, especially dramatic with the crackling flames and shadows of the disintegrating Genesis planet and silent close-ups from friends.

The comic adds all this other stuff.

The movie ends with "The Adventure Continues," the comic:

That's close, but what Edith Keeler said was "You? At his side, as if you've always been there and always will." Hey, it was both a pre-internet age and a pre-easy-home-collection-of-Trek-tapes age, so let's be forgiving. Still, was this in the script? I can't imagine it was. Someone ask Marv Wolfman or Mike Barr someday if you see either of them. At a convention of course, not while they're out eating dinner or going to the bathroom or anything please.

No Miguel Ferrer for that matter. Captain Styles will return as a foil for Kirk in issues to come.

Oh and one more, there's no "Good Morning, Captain" when the Excelsior breaks down. I always loved that.

That's all she wrote, pretty much. At the ending Fal-Tor-Pan ceremony, though, there's a conspicuous close-up of some young Vulcan who speaks to Spock as he's carried by her.

I sense this was something meant to be followed up on, whether in the movies or comic I don't know, although I guess if it comes up in the comic I'll find out sooner or later, but never was. I watched the sequence in Search for Spock, and if this was following a storyboard, I don't think I saw a corresponding shot. Possibly on the cutting room floor. Or possibly I just missed something somewhere in the comic. (One more thing to bug Marv or Mike about at a convention! Tell them Dog Star Omnibus sent you.

Some Leftover
Screencaps: