12.12.2018

Twelve Christmas Albums for Your Holiday Season


I had original planned to do one of those Imaginary Mix Tape ("Christmas Mix 2018! A Blizzard of Ho-Ho-Hos!") deals for this post. But while it's always fun to put together a good playlist, I think I'm going to phase out this side of the Omnibus. I'll still put up stuff on music from time to time, but the whole playlist or Albums I Listened To In Insert-Calendar-Month type post is hereby banished lawfully repopulated to the Island of Misfit Blogs.

There is so much Christmas music out there that it's easy to just surrender to the radio or internet station playlists. But why do that when you can spend this Christmas season with one or all of the below? 

Ho Ho Ho, Dog Star Omnibudsmen! Let's do this.


Honorable Mention


I honestly don't even remember how I ended up with this one. Around the time I was going through the Ventures catalog, I think, I downloaded this one as well. If this had been the original "Christmas Mix" post, I'd likely only have included "Mele Kamikemaka" but the whole thing's pretty good. Essential? Perhaps not. But Honorable Mention for sure. 

Oh and before we get to any more albums, here are some other single tunes that also would have figured prominently in said Christmas Mix:


"Shchedryk" (aka Karol of the Bells) by the Bel Canto Vilnius Choir.

"Holiday for Strings" is fantastic. One of the best compositions of the 20th century for my money. A real Heinz Kiessling vibe, pizzicato madness. "I Wish It Was Christmas Today" is my pick for Christmas Tune of the 21st Century. That Ray Conniff Singers album is definitely not for everyone, but I love crap like this. This one is especially saccharine and goofy - perfect for that time-traveling Christmas vibe I love so much. Half if not all of the Christmas fun is the temporal disorientation that mists over my frontal lobes as these songs take a sleigh ride round and round in my head: time travel not only to my own childhood but to the childhoods of All Christmases Past.

As for the Shchedryk tune by the Vilnius Choir, I did not realize this was a Ukrainian traditional until just this past week. I prefer it like this, now, to the Anglicized version. It sounds fantastic.

"God Rest Ye Merry Gentlemen" is perfectly self-explanatory.

Oh, and all of these years, I thought "Please Come Home For Christmas" was performed by Bryan Freaking Adams. This year I find out it's actually been The Eagles all along. This is tough for me because I've always kind of hated the Eagles and always kind of loved Bryan Adams. (That Reckless album was along with the Miami Vice soundtrack my Favorite Thing Ever for a few pivotal months in 6th grade.) WTF. Ah well. That makes at least one Eagles tune I love. 


12.

I like to tune into Radio Deluxe on Saturday nights or Sunday mornings when I can, and they put this one on my radar this holiday season. It basically sounds exactly like their show, so hey, if you like such things, this will appeal to you. (Check out this great "Winter Wonderland.") That Konrad Paszkudzki can sure play the keys, brother. 


11.

Andy Williams "Happy Holidays" is the definitive one. For years I thought that was Sinatra; I can't be the only one. It and his version of "It's the Most Wonderful Time of the Year" have been part of the Christmas music ether for so long but won't forever. It deserves to be preserved, though, rather than all the endless (Buble) knock-offs of it. Not that there can't be different versions of things, just a tip of the cap to those who set the molds. Not sure who arranged this one - I think it was George Wyle, but whomever it was deserves all the accolades. That's at least one of the definitive sounds of Christmas.

Another collection of seminal arrangements:


10.

Arranged by the father of Christan Rock (for better or worse, kids) Ralph Carmichael, this one is perhaps best known for "The Christmas Song" (written by the Velvet Fog himself, Mel Torme.) Which is, of course, wonderful. But the whole thing is one definitive standard after another. The definition of smooth. And maybe a little square, too, sure, but smooth-square is still pretty damn smooth. And yes it reminds me of my grandparents, and this time of year, that feels pretty good. I miss those guys. 

Christmas ain't about being hip. It's about time travel, baby! 


9.

If you're comparing the track listings so far, you'll see some overlap. Inevitable given the genre we're talking about, but I did want to mention: it'd have been cool to come up with 12 albums that cover a broad range of Christmas tunes with little to no overlap. But my personal faves are this list, and the track listings are what they are. 

This one has some tunes you don't see many other places, such as "Mistletoe and Holly" (Frank might own that one, pretty much, on most playlists) and "The Christmas Waltz"
written just for Frank by Sammy Cahn and Jule Styne. 

How can you go wrong with Frank? Ditto for:


8.

This is actually an internet-era release combining Elvis' Christmas records into one playlist. All of them, I think, unless it's missing one or two. 

As with Sinatra's, you get all the standards here, done in Elvis' singular style: "Blue Christmas," "Here Comes Santa Claus," and one of my favorite of Elvis' gospel songs "(There'll Be) Peace in the Valley (For Me)." What a vibe on that one. I'm not sure what the parentheticals are all about, there, but what a tune. It's kind of a stretch to call it a Christmas tune; might as well include "How Great Thou Art" or "If I Can Dream." Which I just did, I guess. Any mix, Christmas or otherwise, is improved by including all of them.

And really, if you made a gospel movie - that is, a movie about Jesus Christ's time on earth, i.e. the reason for the season according to your religious relatives who insist on such things - and Jesus broke into "If I Can Dream," not only would it be 100% appropriate, it'd be pretty damn cool.


"Out there in the dark, there's a beckoning candle, oh yeah,
and while I can think / while I can walk,
while I can can stand / while I can talk,
while I can dream,
please let my dream come true/
right no-ow-w...!"

Horns and fanfare. Amen.


7.

Okay, McMolo, what are you trying to pull here? Sinatra, Elvis, now Dino? And Dino in front of them all? Yes indeed - probably the only time Dean Martin finishes ahead of either of them. And objectively speaking, is it a better record than either of theirs? Maybe not. But what can I say, it's always been a seasonal favorite. I hear "It's Beginning To Look a Lot Like Christmas" and I'm instantly in the backseat of my parents' car, driving to my cousins' Christmas party and looking at all the houses done up. (Then the "12 Pains of Christmas" comes on, or the Dogs Singing "Jingle Bells" one, and my Dad almost drives us off the road in a rage.) 

Time for something different:


6.

I mentioned the Musical Heritage Society in a post a few months back. Here's another gem I got from my time as a member. One Amazon reviewer enthuses:


"CD 1 presents a sequence of Christmas music from many different cultures and ages. It exemplifies the rich diversity of music written for the feast, which has inspired musicians with a unique enthusiasm for its colorful narrative and message of salvation. A special theme of the recording is the group of motets by Francis Poulenc. Four wonderfully atmospheric settings of texts used also by earlier composers represented here on this CD: Lassus ('Videntes Stellam'); Byrd 'O Magnum Mysterium', Schein ('Quem Vidistis') and Schutz ('Hodie Christus Natus Est'). This leans heavily upon the classic sacred music, but sprinkled in are such well-known tunes as 'Hark, the Herald Angels Sing' and 'Silent Night' and more of the like. There is an occasional accompaniment by the Collegium Novum Ensemble with period instruments.

CD 2 includes songs more familiar and of a traditional nature such as 'O come all ye faithful', 'The Angel Gabriel', 'Ding Dong Merrily On High', 'In the Bleak Midwinter', 'The Holly and the Ivy', 'The Coventry Carol', 'Wassail Carol' and the much sung 'Once in Royal David's City'. Others such as 'Adam Lay Y Bounden', 'Out of Your Sleep' and 'Here is the Little Door' may not be as familiar. 

If you like the all-male choir with it's soaring crystalline sounding boy sopranos, and the lush sound of the male altos along with tuneful tenors and light clear-sounding basses, and mostly unaccompanied singing, this is your time!"

Well, there you go, then! I lost my booklet that came with this, verdammt, but I'll take this reviewer at his word. (That Collegium Novum Ensemble link up there is very much worth clicking on, by the way, and playing loud. It's not Christmas, but while we're here.) 


5.

This one was completely off my radar until brought to my attention by Bryant Burnette just last year, but it instantly became a fave. I even expected to not like it much - I went through a fairly substantial Dylan phase in the mid-to-late nineties, but I haven't felt much of a pull to revisit any of it in some time. I'll forever tip my cap to the guy, of course - goes without saying. But, this charmed from the first. A total old-school (Ray Conniff/ Andy Williams) production design, with Dylan at his scratchiest singing since Time Out of Mind. The tracklist is as traditional as it gets, with one exception: "Must Be Santa." I tried to embed the video but no luck, so here's a link

The name of the album is Christmas in the Heart, and it's very much that, but it's all very much from the heart as well. I can't tell how tickled I am that Dylan put put this late innings throwback Christmas record and had what seems like a wonderful time with it. The whole thing is great, but the You-Tube linking is unfortunately not so good. There's "Little Drummer Boy" and that's pretty much it. That's not my favorite Christmas tune by a long and country mile, but this version is more than fine. 


4.

Thirty-four-and-a-half-minutes of yuletide awesomeness. You've heard every track here in a dozen movies, if not more - I can't imagine the royalties her estate must get. "Jingle Bells," "Sleigh Ride," "What Are You Doing New Year's Eve?" ("Will I be with you / or will I be among the missing?" is kind of an ominous line, no?), "Good Morning Blues," and "Rudolph" ("Hang your nose down, Roo-oo-dy") every last one's a gem.

What a voice Ella had - I know I'm hardly the first to notice. Produced by longtime manager Norman Granz (with whom I share a birthday, I just discovered) though I'm not sure who arranged it on first pass. I've listened to this album a gazillion times but have only just today actually looked up anything about it.

I mentioned "Sleigh Ride" out there. I like a lot of versions of that tune (possibly my favorite all-round Christmas song) but the definitive, massive-department-store-opening, hoopla, bells-and-whistles, fat jolly elf Spielberging across the full yuletide moon for me will always be the orchestral version from:


3.

Here it is. It's not Christmas until I hear that at least once. As of 2018, I'll hear it on the radio or while out in the world fairly routinely. But I worry about the future. So, make sure you grab yourself a copy and do your bit by blasting it loudly. Santa needs the encouragement, and we need Santa. I think it's the return of theme 1 around here-ish where the horns play a descending-notes counterpoint that really drives home the awesomeness.

The Boston Pops has had at least two iconic conductors, Fiedler and John Williams. Fiedler tended to treat his musicians the way Mahler and many other conductors of old treated them: as serfs to be dominated brutally under his baton. The results are undeniable (in both cases, although we have to take the word of Mahler's contemporaries for those performances, since they were of course never recorded) but sounds like a work environment in total odds with the jolly music on "Christmas Pops." (Also, apparently, he despised the popularity of the record and people's expectation to play it every year.) But whether it's "Sleigh Ride" or "March of the Toys" or "Dance of the Sugar Plum Fairy" or "Parade of the Wooden Soldiers," we're all lucky to have had the grumpy bastard at the rostrum for these recordings. 


2.

The first draft of this post has this one at #1, and really, it could go either way. Here's another of America's indelible contributions to the world, especially the world of Christmas. Say what you will about Phil Spector - "he's a crazy SOB" and "didn't he murder somebody?" are just a few of them - but his Wall of Sound production in the 60s was (and remains) a revelation.

As with the Ella album, we've all heard this stuff so many times we run the risk of forgetting how truly wonderful it all is. "Frosty the Snowman" by the Ronettes might be best known these days for its use in Goodfellas (and as movie-associations go, that's really not a bad one; Harry Nilsson and Derek and the Dominoes and Tony Bennett know what I'm talking about) but it's the definitive version for my money, as is "Santa Claus is Coming to Town" by the Crystals.

The album belongs to Darlene Love, though, whether it's "Winter Wonderland" or "Baby Please Come Home" (that clip is from its last performance on David Letterman; Darlene Love would perform it every year. Great tradition. If you were born anytime before 1980, you're probably wondering why I'm even mentioning such an obvious thing, but to the younguns who don't remember, this was a perennial tradition on par with the lighting of the "Holiday Tree" at Rockefeller Plaza) or "Marshmallow World."

Truly great stuff. And finally:


1.

On December 1st, this is the first CD I always listen to. (I wait until the 1st for my Christmas music, as everyone should.) Start to finish classic. My kids this year embraced both It's the Great Pumpkin, Charlie Brown and A Charlie Brown Thanksgiving, but the Christmas special hasn't really connected with them. Yet, anyway - I've still got 13 days to accomplish this! But, I think my baby boy likes the music at least. Especially this one:



Vince Guaraldi's piano sounds so incredible throughout this album. Outside of hearing the music as part of the special (a Christmas tradition still ongoing, which makes me happy, although it's only a matter of time before our cultural gatekeepers decide it's a code for white supremacy or somedamnsuch) all the time, the music really only came on my radar when George Winston released a tribute to it. I was a big Winston fan in the early-to-mid-90s. I still like him fine, although I only listen to his Hawaiian slack-key compilations these days. But for a few years I was really into his piano records; repeated listening of them led me to many other musicians and composers.

If, perchance, you don't have this one, you really need to. If you have Prime it's included there for free; go and crank it up. (Actually, a lot of the above are. You can have yourself a Dog Star Christmas Party and not spend a penny! Outside of those you already spend on Prime.)


~
Merry Christmas, friends and neighbors! 

12.05.2018

Shazam! The Marvel Family (1939 - 1954)


I picked up a CD-Rom (and that's how long ago it was) of a bunch of Marvel Family and Captain Marvel, Jr. comics years ago but never really delved into it. An Alter Ego issue devoted to Otto Binder caught my eye at the comic shop, though, and diving into that led to some sporadic Shazam-ing over the past year. Especially the past few months.

As per usual with these Comics Scenic Route posts, this is just a visual tour with superficial commentary. I hope interested parties will seek the rest of the story(ies) elsewhere. The following will not contain any remarks on any Captain Marvel after the demise of the House of Shazam at Fawcett in 1954, nor anything on said demise or its subsequent impact on comics history. And of the stories represented, I follow my usual slipshod approach. 

Do I know how to sell it or what! It's just there's so much to all the above and so many different places to read it online that why even attempt it, is my philosophy. Suffice it to say, though, as was the case with the Weird Fantasy post, students of comics history or simply admirers of the genre that don't have a working or passing knowledge of All Things Shazam will find a world of fascination behind that door whenever you decide to open it.

Until then! Here we are:


1.

MARVEL MYTHOS



Oh no, Tawny Tiger! Can't have that. Luckily for you, the origin is recounted in basically every issue.
 

Did you miss anything? Here it is again - later in the same issue:



I mean, they are making sure you are up to speed, here. Such gracious hosts! All kidding aside, this was perhaps an exaggeration of standard practice of the time but not outlier behavior. Very Luke-and-Obi-Wan/monomyth-y, way before it was cool.


The story expanded to include Captain Marvel, Jr, as well as Mary Marvel. I always liked how she just got a feminized version of Shazam heroines (Captain Marvel, Jr. and all the other Marvel Family guys never had their own personalized versions. That'd have been cool, though.)

Every hero needs that shadowy reflection of his or her self, and Captain Marvel's was Black (née Mighty) Adam:


I realized after the fact that I only had the one panel of him, here, above. I didn't plan it that way and don't mean to slight him. From what I understand his visibility has been pretty high of late. I never read Captain Marvel, growing up, which I suspect is the case of most comics-reading folks my age. We were too young for the Shazam stuff in the 70s and DC never really knew what to do with the character in the 80s. (As always, my knowledge of post-1990 continuities is always kind of fuzzy but more power to them/ best wishes to everyone.) Anyway, whenever I'd come across the character (Black Adam) in a Who's Who or wherever, I was puzzled; who the hell was this guy? Now the Rock's going to play him in a movie. Times change.


Before moving on, I want to do two things: (1) Praise the general art and design of these things. I hope I represented this somewhat in the caps to come, but a lot of these panels are leagues above other Golden Age art I've seen. CC Beck is the main guy to thank, but I put everyone I could find in the Labels. And (2) I intentionally no longer include covers in my comics posts - as with the history stuff, above, it's just too well-represented out there. But I have to make an exception for this one:





Man, that is fantastic. More on this story in a bit. First, since we're here:


2.

WAS ELVIS CAPTAIN MARVEL JR.?

Definitely! (Okay maybe, maybe not.) It has been suggested that Elvis, who loved Captain Marvel comics and Captain Marvel, Jr. in particular, modeled his 60s comeback suits (as well as the lightning bolt motif of his TCB crew) on the Whiz Comics Wunderkind. Grant Morrison suggests this as literal truth in his book Supergods, but it might all be just wishful thinking.



Still: did anyone ever see them in the same place at the same time? Shazam! Uh-huh, uh-huh.


3.
SOME MEMORABLE STORIES

Golden Age stories can be tricky. I like the idea of them more than the reading of them, usually. You'll run into some of that here (how couldn't you, with some 400+ issues of Captain Marvel-related content put out by Fawcett in this period?) but what's remarkable is how readable so much of this still is. Campy, sure - one must make allowances and contextualize, of course - but one must stand in awe of Otto Binder, who wrote so many of these. Not only did he have that same gift for cranking out content that so many of his comics and sci-fi contemporaries had, he had his finger right on the pulse of it.

I often like to make Mt. Rushmores of different genres, i.e. which 4 or 5 people would you put up on a mountainside to represent such-and-such a genre. If I were in a Comics National Park and saw him chiseled up there alongside Gardner Fox and Edmond Hamilton, this would be a sound and sensible start. But who's the fourth? (Or fifth?) I hope someone finishes the line-up in the comments. 


Let's dive in.
CMA 80. (Freud Van Rockabilt)
CMA 100 (although it's a reprint, I think). Let's spend some time with this one.
Seriously, what good is a wizard that would be fooled like this?
Here's where things get interesting:
Seems familiar.
Captain Marvel takes over North Central Positronics an atomic lab to storm the Hub of Eternity.
Great stuff. 
Here's the title page from Captain Marvel Jr 17, the story for the cover mentioned above. I should've screencapped more of this one. See earlier comments about how bad I am at things.
Marvel Family 39.
Marvel Family 2.

If there is one Captain Marvel story that seems to capture everything wacky and wonderful (and perhaps indulgent) about the character and concept, it's The Monster Society of Evil, which also doubles as sincerely wonderful WW2 propaganda. It began being published in 1943 and ran for two years through Captain Marvel Adventures, so you can watch the real-time tide turning in the Allied effort against the Axis as the story progresses. 

I'll just present the screencaps I grabbed from this and return in the next section.
Thousand Year Reich.
(Me checking facebook. Minus the Shazam.)
Nuremberg.
This conceit of villains making lists of ways to beat Captain Marvel will return in a bit. ("Kill Everybody!")

4.

SOME SURREAL STORIES

I wanted to isolate some tales that struck me as particularly wtf-y. Here Captain Marvel wrestles with forces well beyond the tried and true of his era.


Captain Marvel Adventures 43.
So much to say here! I short-circuit. CMA 113.
CMA 119
Whiz Comics 153.


5.

WAR

Captain Marvel's adventures were published while America was at war, first with the Nazis and Axis, then with the godless communists of China, North Korea, and the Soviet Union. Like all comic book heroes of the era, Captain Marvel did his bit.

CMA 2.
CMA 144.
CMJ 119. The soldier's reaction cracks me up. Wouldn't you rather see Captain Marvel, Sr.? If only to get the kid off the front lines?
Master Comics 34. ("Captain Nazi.")
Master Comics 43.

I forget which this and the next few are from. One of the Monster Society of Evil stories.

The good Captain even found some time to warn against atomic Armageddon in CMA 66.


6.
LEST WE FORGET

I've painted a rather rosy and forward-looking picture of the old Captain Marvel. It wasn't all fun and games.


This came out around the same time as EC's "Judgment Day" in Weird Fantasy. Quite a difference, eh? Guess which of the two was deemed acceptable to the censors. The past is a different country, Mr. Bond.


I have a feeling any examination of these comics these days would perhaps over-focus on this stuff or to the exclusion of all else. Which really isn't all that omnipresent in the 400+ issues Fawcett put out and is at conspicuous odds with the sensibilities of the Marvel Family themselves. But there it is, in all its dubious, sad, racist glory. I wish it wasn't.

You can't engage with the past - or the present, really - on your own terms; it is what it is/ is what it was. Am I making excuses? Not even the tiniest bit. Just what's the point of raging against the past? It only works as a control mechanism for the present. (Did people not freaking read 1984? I digress.) I just didn't want to ignore it either.

Really makes you appreciate what EC was doing all the more, eh? Back to less scuzzy waters.


7.

RANDOMS


Leftover screencap time! First up, some shots of Chicago, where Captain Marvel ended up an awful lot.


CMA 80.
"Are you addressing me, peasant?" needs to make a comeback as something people say.
CMJ 17
Marvel Family 44
Mary Marvel 15. (What the hell is going on here?)
Whiz Comics 105
Whiz Comics 155
Wow Comics 51

8.
MISSING SECTION


I had planned to screencap Jeff Smith's reinvention of Captain Marvel from a few years back (the 4 part Monster Society of Evil) but I have to say after revisiting it in 2018 I didn't like it too much. I remember really loving it when it came out; in fact, it was probably the first I ever really engaged with the character or Marvel mythos. But revisiting it after taking in both the original MSE as well as all the rest and I've got to say: Jeff Smith really dropped the ball in reintroducing the character and concepts. To consciously invoke the signature storyline of the original era was a bad idea, as well; it falls well short of that mark. 

Some of the art's okay - Jeff Smith's skills as an illustrator are never in question. As a storyteller, though, especially of the MSE / Shazam variety, though, it's a huge miss. I award it no screencaps.


Okay, one screencap.


~
That's all she wrote, folks! Hope you enjoyed.

From the Fawcett Collectors of America (in Alter Ego)
CMA 100