Captain's Blog pt. 48: Return of the Archons

"Return of the Archons" aired for the first time on February 9th, 1967. Its time-slot competition was Bewitched, My Three Sons, and Love on a Rooftop. US troops in Vietnam numbered 485,000 and counting; Che Guevara was still alive.

SCRIPT / THEME (out of a possible 10 pts. apiece): 20 / 20. "Archons" is a pitch-perfect representation of certain aspects of Trek: thinly-veiled social critique (in this case, religious conformity, the danger of programmed morality, America coming out of the 1950s stuff) and well-written sci-fi adventure with compelling characters.

"Mister Sulu has returned in a highly agitated state" is perhaps my favorite of Roddenberry's many swipes at organized religion.

 

"Archons" is also the prototype for the Kirk topples the computer-god/government by talking it into destroying itself.

 

"If I were you, I'd start looking for another job."

Someone needs to edit this scene and slow it way down with "Nobody Does It Better" from The Spy Who Loved Me playing over it.

Every discussion, suggestion, and conversation in this episode works on a traditional narrative level and a deconstructive one. Whenever you think you've cornered the moral statement being made, another aspect or question manifests itself, up to and including the last line. Its closest parallel would be "This Side of Paradise," where the viewer's left a bit unsettled when the end credits roll, despite everything being set "back to normal." We've seen a side to our heroes and their five year mission that doesn't sit so comfortably with the mission statements associated with it.

The IDW "reboot" of this story adds some interesting elements:

"In 2167, the USS Archon was sent to Beta III to set up a colony for the United Federation of Planets. Cornelius Landru, the head of Starfleet's Advanced Research Division, had invented a new artificial intelligence for a sinister purpose: population control. When the plot was discovered, the Archon was destroyed. The amnesiac survivors invented a religion based on Landru and the Archon. Landru lives on as a computer. (Kirk and the gang discover the cover-up and destroy Landru, freeing the people.) Back on Earth, Starfleet threatens to hold Admiral Pike personally responsible if Kirk makes another blunder like exposing the Landru Experiment."

It's not a bad 2-parter. The ongoing IDW series has its moments. It's too bad the coordinated multimedia alternate timeline mega-story didn't materialize the way Abrams originally imagined it. Back to the episode.

Barry Sobelman is given a story co-credit on this one. He wrote for a few other shows in the 60s but doesn't look like he did much beyond that decade. Well, except die, in 1971. RIP.

MEMORABILITY (out of a possible 5 pts.): For myself? 422. Among most Trekkers, a 4, maybe even a 5. Among the general population, probably a 1 or a 2. Sadly. If it does raise a blip on the cultural radar, it's likely due to the Red Hour, i.e. the Landru-approved orgy of defenestration and madness.

FESTIVAL! FESTIVAL!

You obviously couldn't show mass fornication in the streets on primetime TV, at least not in the 1960s, but you could simulate it with clever use of shadows.

The patriarchy of it all really jumps out, watching it in 2013. Particularly the scene in the aftermath of the Red Hour (which is kind of oddly named, since it clearly lasts all night) where the daughter returns home, screaming and upset and violated, and, surrounded by men, is shuffled off to one corner to be sedated. Then it's back to business, gentlemen.

KIRK AND THE GANG (out of a possible 10 pts.): 15. This category is sort of a wink-wink at how comprehensively Shatner nudged people out of frame (or outright pilfers their lines, as is evident here in many of his conversations with Spock, something Nimoy grumbles about good-naturedly in I Am Spock and elsewhere) but I'll also use this space to comment on cast performances in general. And in "Archons," everyone hits their marks squarely. You've got a lively interaction with a variety of guest stars and some great stuff from just about everyone.

Some of the Shatner wackiness bleeds through. His insistent pronouncing of "Landru" so the land rhymes with wand has been cracking me up without fail, for years. And there's this bit with Dr. McCoy:

You do remember!

Incidentally, the bit where a bug-eyed McCoy freaks out on them and starts screaming for the lawgivers has that wonderfully uncomfortable bit where Kirk is pleading with the Doctor to relax so he doesn't have to hurt him. (Before knocking him out, of course.)

But mainly, Shatner's subdued performance serves the story well. He's so sure of himself and that his course of action is the correct one. ("Start acting like men." etc.) It adds the appropriate note of "unreliable narrator," however unintentionally. I felt invited to read it as American Psycho this past time around, which made me chuckle at several points. Is this all in Kirk's head? Anyway: it's rare that I'll get to say this in this series, but Shatner is masterfully subtle here.

VISUAL DESIGN (out of a possible 3 pts.): 2.5 The sets aren't particularly spectacular (and the ever-popular Paramount back lot is re-dressed for the street scenes) but they're effective.

 

The costumes have that "Maybe they were meant for Maverick or Wild, Wild West" look to them, but they're also quite snazzy.

As for the TITLE:

it fascinates me. I don't think it gets anywhere near enough credit for the sense of mystery and weirdness it evokes in relation to the story that we actually see. So much of the backstory is only alluded to, but this sense of "Are you... Archons?" (and Kirk's evasive answer to that) informs everything that we do see happen. The return of the Archons is one part prophecy, one part poetry, and one part ominous: the end of everything. It's such a stylish frame to put around the episode. 5 out of a possible 3 pts.

INTERNAL LOGIC/ CONSISTENCY (out of a possible 3 pts.): 2.5 I mentioned the Red Hour discrepancy above, but that's not a deal-breaker. Maybe it's just the term used for the first hour of Festival. It probably is actually. This next one's not a deal breaker either, but hey, while we're here: the Lawgivers can "turn" people simply by pointing their tubes at them and Zap, you're Of The Body. But when Landru renders everyone unconscious with his hyper-sonic after the bit with the light panel, Lawgivers presumably take them to the Absorption Chamber? Why not just send in the lawgivers and zap 'em all while they're sleeping? Or zap them in the dungeon they put them in. Tsk. Stupid Landru.

GUEST (out of a possible 3 pts.): 2.5 Everyone does a fine job. Landru's ethereal calmness is especially effective.

We'll see Jon Lormer again down the road, in "Wolf in the Fold."

Let's not forget this creepy dude.

TOTAL POINTS AWARDED: 50-ish? I lost track. Let's just call it 50,000, or the one to beat. "Archons" has it all. Many Trek tropes originate in this episode (Kirk tricks the computer, the imperfect Eden, society's "master programming" on stifling autopilot, Scotty complaining about how the ship's only got a few hours left before it's destroyed, etc) and by and large are never done better.

Captain's Blog pt. 47: Credit Where Credit Is Due

Before we continue, let's take a moment to recognize those stalwart pioneers who first blazed the Trek Trail.

I believe I may have mentioned this guy before.

Fighter pilot, commercial aviator, writer, husband, father, motion picture and television producer, imbiber, cad, visionary, and ultimately: mortal. And an important one. As said elsewhere, when the cast and crew for Planet Earth are scrolled along the universal screen, Roddenberry's name will be in there somewhere.

I've yet to see Pretty Maids All in a Row, his immediate post-Star Trek project: 

but one of these days. (That write-up makes it sound like a must-see.) Ditto for Spectre and his other TV work, actually. I imagine it's all available on YouTube or wherever. The delights and wonders of our modern age.

Roddenberry's production company.

The other Gene and no less a trailblazer for the Trek we all know and love:

A combat vet (USMC) of two wars, Gene died shortly after TOS went off the air, which means were he to come back to life in 2013 and survey all that has happened to the franchise (including it becoming a franchise) in his absence, he'd probably have a heart attack and go right back to terminal dreamland. Incidentally, I've always meant to find and read these books; I wish someone would publish a shiny new edition containing both:

 Next:

Also a combat vet (Navy,) Justman was a journeyman A.D. and P.A. on a variety of television before landing the Star Trek gig. He had a long association with Leslie Stevens and lives on in eternal syndication as the name of one of the Enterprise-D's shuttlecraft.

Justman co-authored Inside Star Trek with fellow producer Herb Solow:

Solow worked his way up from the mailroom at the William Morris Agency and enjoyed a long career in television and production. Still kicking in 2013 and living in Wales, he is married to the author Dr. Harrison Solow.

We'll have plenty of opportunities to showcase the work of these next six gentlemen:

In Season 3, when the TOS budget was slashed, these guys carried on heroically and don't always get the acknowledgement they deserve. Anyone interested in the realities of producing a show from the ground-up is encouraged to check out that Solow/Justman book, as well as Aliens and Artifacts by Michael Westmore. Or just read Shatner/ Kreskis Star Trek Memories, which has a wealth of info on these scores.

As mentioned elsewhere, I'm a big fan of old time radio shows, and I'm always tickled when I hear Alexander Courage's work in other contexts, like Johnny Dollar or what not:

LaLa Land Records recently released the complete TOS soundtrack, and although I passed on acquiring this limited edition set, I'm a great admirer of the work. As with Indiana Jones or Star Wars and John Williams, I can't imagine the show being anywhere near as successful as it (ultimately) was without the soundtrack.

The various writers who supplied all the stories for TOS will get their time in the spotlight in the fiftyish blogs coming after this one, but I wanted to single out the work of the four men who directed the most amount of episodes:

I gave Marc Daniels some spotlight in my TAS overviews, so here's some additional tidbits on the others:

- Ralph (at age 90) maintains a blog, which you can read here. It hasn't been updated in a few years, but what is there is great. And abundant.

- John Meredyth Lucas passed away in 2002, and attempts to send his ashes into orbit unfortunately met with failure. He's the only writer who got to direct his own script; unfortunately that episode was:

- Joe Pevney passed away in 2008 after a long and productive career. Among his non-Trek achievements was this likely-non-classic:

But who knows? I haven't seen it. Maybe it's a gem awaiting rediscovery.

Season 3 of TOS is justifiably maligned for a number of reasons, and there are those that put the blame squarely on its showrunner:

But I'm not one of them. He inherited a thankless position with little or no help from the show's previous showrunners (i.e. the Genes.) His budget was slashed, he had a difficult relationship with Nimoy, and the show labored under the constant threat of cancellation. Nevertheless, what we received in Season 3 is a stay of execution, as this site more than adequately details. And without it, we wouldn't have, among other things, "The Enterprise Incident," "Spectre of the Gun," "The Paradise Syndrome," "Spock's Brain," "The Savage Curtain," or "The Way to Eden."

Regardless of your opinion of these episodes (or any I'm not mentioning) the Trek legacy would be undeniably for-the-worse without them.

Until next time, enjoy these TOS mash-ups, which you've likely seen, but a) if not, you need to, and b) they're always fun to watch again. (And again.)