Not the best header photo I've ever created. I wanted to put "Season Five" in the bottom right corner but could not make it work. If I were an eccentric gazillionaire, two full-time positions on my staff would be (1) Header Photo Creator, and (2) Linens Czar. That second one better have knuckles and shins of steel because I can't seem to change a single bedspread around these parts without bruising or scraping both.
They don't have these problems in the future; let's go there. Here's my least to most for DS9 season five let's jump right in.
26.
Odo falls in love with a woman, Arissa, involved in the Orion Syndicate.
Holy moley. This one's a thousand times grosser than “Sub Rosa.” There's probably a pretty cool storyline they could have done with the Orions, but no series ever got there. Hell the best one was probably the one with Lou Ferrigno from Star Trek Continues.
I’m not sure if the wrap-up really works. Arissa acts more like someone who’s joined a cult than who has regained her memories. (I wonder if there’s something tongue in cheek about that fate re: hooking up with Odo.)
25.
Someone is killing former members of Kira's resistance cell and she might be next.
Not bad but I struggled to care. Honestly when you don't care about Bajor and "the occupation" it's hard to stay engaged with this stuff. I just don't think Trek is built for this sort of thing, or rather, it can accommodate it, but it's not exploiting the full potential of the machine.
Moreover, how many times do we have to hear this crap? I swear we have heard these same exact lines in so many different things. Does it excite anyone? Educate? Provoke? Illumine?
24.
Michael Eddington returns and Sisko becomes obsessed with catching him.
Sisko has some good episodes where his duty is questioned. I don’t think this is one of him. He doesn't sell the vengeful Starfleet Captain very well, and Eddington is just cliched as hell. Not for me. Aron Isenberg does some good stuff with Nog, though.
23.
Worf and Dax vacation on the pleasure planet, Risa,
and encounter unexpected dangers.
and encounter unexpected dangers.
Don’t really like Worf here, he's petty. Not Worf. Nor the Curzon Dax with Vanessa Williams thing, which just rang false to me. Too soon after “Rejoined” to go to that well again, for me.
No one comes off particularly well in this episode, and that's my main beef: it didn't have to ruin my vacation to tell a story about how vacations can go awry. Nice scenery and a few good moments here and there.
22.
Tekeny Ghemor arrives on Deep Space Nine and reveals that he is dying.
Borrrrrring.
I kid. Good Nerys episode, and apparently a callback to a character who's appeared before. I've no real problem with this episode, it just kind of bounced off me.
21.
Sisko, Odo, Dax and Garak are found unconscious. While Bashir attempts to revive their bodies, the four wake up during the Cardassian occupation of Bajor several years earlier.
Trek has a spotty track record with this sort of episode. I don’t think it’s terrible (see VOY “Memorial”) but it’s not terrific. I want to like it more than I do.
Were I a close personal friend of the show I’d start worrying it was exhibiting signs of depression.
20.
When Quark discovers an infant Changeling, it has a profound effect on Odo. Meanwhile, Kira goes into labor
I like James Sloyan. I don’t much care for Changelings-stuff nor sudden-brief-parentage tropes. But there's stuff to like here. Good performance from Rene Auberjonois, and that scene with Quark once Quark turns the corner. “Fill me up.” It's a healing-story, and those are always of value on some level, felt or unfelt.
19.
An act of desperation by the Maquis could plunge the Federation into war. The Maquis have thirty cloaked missiles headed to Cardassia which will cause an outbreak of war in the alpha quadrant.
Make it stop.
Actually, this one wasn’t too bad. Eddington’s blather is still annoying. His wife (played by someone with the impressive name of Gretchen German) is okay. Sisko does a better job here than he does in “For the Uniform.”
Jon Bon Jovi's song from Young Guns 2 was only a couple of years in the rearview when this aired, but still they named it “Blaze of Glory”? Was that a gauntlet thrown? A few years back I watched just enough of Young Guns 2 to realize I probably wouldn't like it very much if I kept going so I stopped; I still like thinking of it as that awesome Young Guns sequel that came out my senior year.
18.
Dr. Bashir has been away at a conference and Jake Sisko has accompanied him to research a profile he is writing about the doctor. Returning in a runabout, they get a distress call from a Federation colony under Klingon attack.
Good stuff from both Jake and Bashir in this episode, which helps with some of the cheesier parts.
I don't quite understand why the Klingons would be considered a bad-ass fighting force based on tactics we see in this episode. It's a shame the Nitpickers Guides never got to season five and beyond for DS9.
17.
Keiko returns from a journey and informs O'Brien that she is really an entity that has taken possession of his wife's body.
It’s a good Keiko and O’Brien episode, I guess. But therein lies the meh-ness. Still, must have been a fun one for Rosalind Chao. It's a good script - it ties Rom's opening remarks in to the resolution and all the Pah-wraith stuff is very interesting.
Do they mention O’Brien’s own body-snatching, though? I missed it if so. Wouldn't that have come up?
16.
Starfleet assigns Sisko to expose the Changeling infiltrator in the Klingon Empire.
I love how easy it is to surgically pose as another species in the Trek future.
This one’s more or less enjoyable. I like the Klingons, I like Martok, I like Gowron. Sisko, Odo, and O’Brien make reasonably entertaining faux-Klingons. (Flingons?)
15.
An accident causes Sisko to have prophetic visions. When he finds an ancient Bajoran city, lost for 20,000 years, Kai Winn reconsiders her attitude towards him.
Like last season’s “Accession,” this puts an interesting spin on the Prophet side of things.
Although I remain hopefully there was or is some kind of scientific explanation for the visions and prophecies of the Bajoran Prophets I wonder if it’s all a bit too mystical to sit comfortably in Trek. I felt that way with some of the Vulcan stuff in TOS and the movies. There’s a fine line between mysterious and prophecy-globbledygook. BSG walked it about as well as it could be walked.
I don't need there to be a scientific explanation for the Prophets, mind you - not at all. In fact, that might even be ridiculous/ midichlorians.
14.
Julian Bashir is selected to become the model for a Long-term Medical Hologram, until a family secret is revealed. Rom has great difficulty in telling Leeta something.
I kind of like Dr. Bashir’s parents, but his father's accent was really overdone. It’s difficult to believe the same sort of lower-class accent in British society would persist through to the Trek future. A mild gripe, if gripe I even call it, for an effective episode. I'm not sure why the Federation would really care about this, but then at episode's end, almost as if to answer viewers like me, they make their argument for why in about as conspicuous (three-hundred-sixty-degree camera pan and an Aaron Sorkin-esque monologue delivered under a cone of overhead illumination) manner as possible.
I don't mind Leeta, but sometimes it's all a bit overdone.
I mean really. |
Kind of ridiculous nerd-fulfillment fantasy with this Rom/Leeta romance, but hey.
13.
Knowing Quark is desperate for funds, Quark's cousin Gaila takes him on as a junior partner in his highly lucrative arms dealing business. With his mother Keiko away dealing with a plague on Bajor, Yoshi O'Brien will only stop crying when Miles holds him, making things difficult.
Octopussy-Guy is a little over the top, so no wonder he has such smooth business relations with the Ferengi. Fits right in. This guy playing Quark’s cousin is not as effective as some of the other Ferengi we’ve seen. Which is surprising given the quality of Ferengi-acting we see on DS9. I'm not saying he's bad, only that he's not excellent. The other Ferengi actors set a high mark.
I like the Chief and sleeping-baby stuff.
12. and 11.
Worf and Garak journey to the Gamma Quadrant to investigate a coded Cardassian message. Gul Dukat aligns the Cardassians with the Dominion. The station must deal with a Changeling infiltrator.
The Dominion remind me a bit of the Draconians from the old Buck Rogers show. They just don't strike me as very believable, just a collection of space-empire tropes. Even by differentiating them with the whole Founder/Jem-Hadar/Vorta thing; it just all feels too labored. I don’t know if they have enough of a real-world analog for it to remain interesting. I hate fake royal-house intrigue in sci-fi, for example.
The Klingon/ Gladiator fight is kind of cheesy. It's kind of Worfspolitation at this point. And yet - always kinda fun, too.
10.
Forced to crash-land on a desolate planet, Odo and Quark must climb a mountain to transmit a distress signal. Jake and Nog (temporarily back at DS9) find sharing quarters isn't as enjoyable as they thought it would be.
While the two plots (Jake and Nog as roomies, Quark and Odo as co-adventurers) don’t mesh perfectly, there’s a thematic symmetry of odd-coupling/ working-together that I like. The Odo/ Quark stuff is fun; the actors do better than the material, perhaps.
Between this episode and last season’s Worf-needs-a-new-place episode, it feels like someone in the writer’s room was working out some cohabitation issues.
9.
While exploring in the Gamma Quadrant, Sisko, Dax, Worf, and O'Brien see a Jem'Hadar warship crash on a planet's surface. Odo arrests Dr. Bashir and Quark.
You know… I don’t remember this one too well. I must have enjoyed it, though, as I put “B+” and “Yes” in my notes. The only other note is “Get the cast outside more.”
(Watches it again)
Yeah this one's pretty good. I wish that was Erin Gray as Kilana, though.
8.
At the end of his rope, Quark returns home and discovers Moogie has a secret lover.
Why does Ferengar look like every other damn place? The Berman-era missed a chance to really visually distinguish the most popular homeworlds. They did okay with Kronos, I guess, but I would have allotted more time and money to this were I showrunning.
To be honest, this episode is a bit of a misfire. Cecily Adams should be Julia Sweeney. I was not as blown away by Wallace Shawn as I wanted to be. But I kind of love it. Learning to not only appreciate but actually get a big damn kick out of Ferengi is amazing to me. This is holy-crap-I-kinda-like-Neelix-now territory, right here. Three cheers for discovering a forty-six-year-old mind can be disabused of a notion it once considered unbreakable.
7.
O'Brien, Garak, Nog and an engineering team go to Deep Space Nine's abandoned sister space station, Empok Nor, to salvage components. The away team soon discover that all is not as it seems.
Another irresistible set-up. It feels more like a horror movie script than a Trek one, but that works to its advantage. For the most part – I don’t really like all the “Kill a Cardie” stuff. It takes a lot of suspension of disbelief to pretend that there’s this soul-scarred generation of Starfleet who learned and forgot Cardassian slurs for combat/ all this PTSD.
I enjoy Garak’s arc just the same. His invitation to O’Brien to play Korta or whatever it is is so awesome.
6.
Worf finds himself attracted to Grilka, Quark's ex wife when she visits the station.
And so the saga of Worf and Jedzie injuring each other while copulating becomes grossly a thing.
Armin Shimerman’s Quark continues to be so casually awesome. Definitely up there in the Shatner-to-Kirk, Nimoy-to-Spock, Picardo-to-the-Doctor franchise marriages of actor-to-role.
5.
Martok, Worf, and Dax go on a mission aboard a Klingon ship to search for a missing Klingon vessel. However, Martok's uneasiness about battle, a result of his captivity, affects his crew's morale.
There are some minor things here and there, but everything from Worf’s challenge to the end of the episode is awesome. Who wrote the Klingon song? It’s the best fake-Klingon song of all. Kudos to LeVar Burton's directorial hand on this one.
And Worf's joining Martok's family is pretty cool, too.
4.
Darvin, a disgraced Klingon spy, travels back in time. The DS9 crew must prevent him from altering the timeline.
The whole thing to remember here in this age of professional cosplay and convention and pastiche and digital remasterings is how there was little of any of that at the time this aired. The sort of self-referential Trek fandom that’s been practically institutionalized was a delightful surprise in 1996. As it was for Free Enterprise in 1999. Come to think of it, it was in 1999 that I first saw this episode, that summer after the final season. My buddy Klum was housesitting - he went through this phase where he kept housesitting for rich single old ladies; I think he was trying to set up some kind of kept-man scenario that never materialized - and I remember driving to where he was through this labyrinth of hilly oceanside bungalows in Snug Harbor, RI. I had the VHS tape. He was wary of watching any non-TOS Trek (an attitude I too considered sensible at the time).
We both loved it. I love it now, still.
3.
Jake wants to give his father a present to cheer him up, a 1951 Willie Mays baseball card. He enlists Nog to help him obtain it, but they run into complications with a mysterious geneticist, Dr. Giger. Kai Winn, worried over the prospect of a Federation/Dominion war and its effects on Bajor, meets with Dominion representative Weyoun.
Here’s an episode that is pretty good throughout – the twist with Weyoun was great, but I was a bit sick of the “soulless minions of orthodoxy” bit the second time I heard it, never mind the tenth or eleventh – but its ending montage ties it together so perfectly that it instantly becomes a classic. Great ending – one of the best of the series I’ve seen so far.
I wish more ended with a Jake wrap-up, it would have played up his writing-ness well.
2.
Faced with the realization that the Dominion are taking over the Alpha Quadrant, Sisko decides to mine the entrance to the wormhole with self-replicating cloaked mines, thus beginning the Dominion War.
So, you’ve heard me talk about how playing out the war tropes in Trek isn’t very exciting to me. And it still isn’t. But damn if I wasn’t totally into this episode! I look forward to the next season absolutely. This was great.
It has more or less the same structure as “Way of the Warrior,” but this one is better. (Better still? The abandon-New-Kobold season cliffhanger of BSG. I hope there was a fight in the writer’s room where Ron Moore was overruled for having Gul Dukat shoot Odo in the head. “Sign your name!” And then, Gordie Wilson style, he said “Just wait, Ira, one day I’m going to do this on my own show, you’ll see.”
1.
An accident causes the crew to meet their own descendants - and presents them with an ethical dilemma.
What an irresistible set-up. And romance cover Odo, who KILLS EVERYONE to save Kira. I freaking love it. At first I was totally flabbergasted – they did what? Then the more it sank in, the more amazed I felt they actually went for it. A powerful story, a bold choice. Very 90s extreeeeeeeme, but effective. Sensitive, even, crazily enough. I mean, poor Odo! The guy went nuts when Kira died; this must have been the "I know what I must do; it all makes sense now..." Jonestown moment for him.
The rest of the crew adapts to the info a little too readily, maybe? Shake it off, hey – eight thousand deaths. Maybe Kira/ Odo don’t mention it to them. That’d be a hard one to re-settle into the status quo/ background. It does not for Kira and Odo, of course.
~
And now for some leftover screencaps to play us out.
"The West! Is! Decadent!" |
They should have added Andrew Robinson to the main cast and credits. |
J.G. Hertzler as Martok. |
Lt. Watley from "Trials and Tribble-ations" is Deirdre Imershein. Where have we seen her before? Why, she was this lady in "Captain's Holiday" (TNG) of course. |
"Brunt - FCA!" |
Odo with his S&M equipment. |
Well, I'm still working on rewatching this season (and blogging up the episodes over at my place), so I'll give you a few piecemeal reactions.
ReplyDelete"Apocalypse Rising" -- Kind of fun as an excuse to have some of the actors "play" Klingons. Avery Brooks is especially good at it. But the whole plastic-surgery aspect of Trek is a real downside for me. It makes a certain amount of sense, I just don't care; I'd blame "The Enterprise Incident" for opening that door, but I love that episode, so I can't.
"The Ship" -- Weird! I couldn't remember much about this one after finishing, either! In my case, it was because I fell asleep. I considered rewatching, but decided I just don't care enough about DS9 to spend that sort of time on it. Sorry, show; you get the time you are allotted, no more.
"Looking for Par'Mach..." -- Those are very kind words indeed for Shimerman. And you know what? He absolutely deserves them. He is flawless. I like this silly episode.
"Nor the Battle to the Strong" -- I have very mixed feelings about this one. It's well-done, but it stills irks me. It's a little too grim, but somehow also not quite grim enough. It's probably my fault as a viewer, though; I concede this.
"The Assignment" -- I believe that by this point, it is well established that the people making DS9 had literally forgotten O'Brien was on TNG. I agree, though, Rosalind Chao must have been thrilled by this one. I kind of wish they had let the alien stay in Keiko's body; she's much more interesting while possessed.
"Trials and Tribble-ations" -- It's just fun, isn't it? Not exactly something this particular series excels at. How great is Terry Farrell, playing a Dax who basically IS cosplaying, and loving every second of it?
"Let He Who Is Without Sin" -- I don't care for this one at all. Michael Dorn gives a very good performance, but I agree, this is not Worf. Again, though, I think the DS9 producers literally hated TNG and did everything they could to undermine it.
"Things Past" -- I know I don't much care for this episode, but I'll be durn if I can remember why. I guess I could check my blog draft, but really, why bother?
"The Ascent" -- I agree, the actors do better than the material. And the location is great. But I just plain HATE both Quark and Odo in this episode, and that's not the way an episode like this one ought to work. And I'm back to utterly loathing Nog.
"Rapture" -- I don't care for this one at all. If somebody else does, I don't really mind; it just does nothing for me. I don't like Avery Brooks' performance much; I feel like the emphasis on faith is a bit out of balance for this franchise (and don't get me started on them using Worf in that capacity); and, worse, it squanders the return of Kasidy Yates.
"The Darkness and the Light" -- This is pretty bad. DS9 does a "Millennium" episode; it's not cut out for it. Written by Bryan Fuller AND Ronald D. Moore, and it's not any better than this? Sheesh.
More comments to come as I knock the episodes down!
(1) "the whole plastic-surgery aspect of Trek is a real downside for me. It makes a certain amount of sense, I just don't care; I'd blame "The Enterprise Incident" for opening that door, but I love that episode, so I can't." No word of a lie my original draft for this episode had something to the effect of "I can't find the right words to express this, but I'm sure Bryant will explain it for me in the comments." And you did! Thank you, that's exactly how I feel about it, too.
Delete(2) "Sorry, show; you get the time you are allotted, no more." Definitely my own attitud usually. I rewatched this one, the exception to prove the otherwise rule.
(3) "It's well-done, but it stills irks me. It's a little too grim, but somehow also not quite grim enough. It's probably my fault as a viewer, though; I concede this." Nope, you're spot on for this episode.
(4) "I kind of wish they had let the alien stay in Keiko's body; she's much more interesting while possessed." Agreed. I feel bad about that, but it's true.
(5) "I think the DS9 producers literally hated TNG and did everything they could to undermine it." I'm surprised PICARD hasn't scooped them all up for their special blend of fuck-TNG-ness.
(6) Oooh, interesting re: "The Ascent." I'll have to rewatch that one with these things in mind.
(7) That's equally interesting re: "Rapture." I think I agree with you on two things here: that Avery Brooks is not especially good at selling "religious pie-eyed mystic" anymore than he is at selling "mustachio'd Bond holosuite villain." And that the show seems insincere about its questions of faith. The latter point is neutralized (for me) just by being an alien species; my brain keeps thinking, well, this is just some lifeform/ species that has these sorts of things, and Sisko occasionally falls under the influence. This one and "Accession," last year, played off the concept in an interesting way for me. It is sad, though, to see the lovely Miss Johnson sidelined by Sisko's newfound (and short-lived) religious fervor. All in all, were I showrunning, I'd have emphasized some different aspects of the Prophets/ the Emissary, but I actually do like these little one-off episodes. I'm glad they don;t overwhelm the show, but it's an interesting angle. I agree, though: I don't think either the show or the writers (or the actors) are particularly well situated to explore issues of faith. Like the war/trauma stuff, it's not exploiting the Trek-machine to its fullest potential, for my money, when they do these things.
(8) Yep on "Darkness and the Light." Ron Moore's slow upward arc to BSG continues! Keep chugging, Ron Moore, you'll get there.
(2) I kind of feel like I got the gist of what I missed from the Mission Log episode I heard on the subject. Sounds like a good episode, but not one that I feel moved to watch again until the inevitable whole-franchise revisit in 2030 or whenever.
Delete(7) It's like ... I kind of just want Kirk to show up and slap Sisko around a bit and remind him that these are only aliens, not gods. Bad optics in that suggestion, I guess, but I stand by it.
"The Begotten" --
ReplyDeleteThis one's kind of like "The Offspring" if "The Offspring" had to deal with a not-particularly-good b-plot. The comedy between Shakaar and Miles is pretty bad; it's neither actor's fault, it just shouldn't have been there at all.
I mostly like Auberjonois's performance, but I -- as always -- don't like anything about the way he plays Odo being joyful. So when he's standing there waving his arms in the air toward the end, that just grosses me out. Elsewhere, though, he's pretty great; this is a solid episode. And I agree, the Quark scene is good.
I forgot to mention the Shakaar/Miles stuff. Yeah, not good.
DeleteThe actor who plays Shakaar (aka Ronin from "Sub Rosa") played Zorro in that Family Channel Zorro series from the early 90s. Did you know that? Even imdb-ing the guy, I didn't put the two performers together. Not that I watched Zorro, but I definitely remember it.
I saw him in 'The Last Days of Pompeii,' as well, a mini-series I tried to watch not too long ago. "Lavishly made," as they say, but I was the wrong audience for it I think.
I always think of him as Dracula in "The Monster Squad."
Delete"For the Uniform" --
ReplyDeleteThis, I think, is the episode where Sisko kind of becomes the Sisko he is for the rest of the series. I might be misremembering, but that's what's in my mind.
I just don't care. The idea, I guess, is that Sisko is hard as nails and is willing to cross lines most Starfleet officers wouldn't cross in order to achieve a greater good. In theory, I can get behind that; my tolerance for it is not infinite, but we can do some exploration and see where those lines are. Sure, why not? One of my favorite Kirk episodes is "A Taste of Armageddon," and what Sisko does here is somewhat comparable to that. It's just, at least for me, a lot less interesting, and at the end of it all, I don't care about any of what I've seen. Maybe that's my larger-scale indifference to DS9 rearing its head, I don't know.
Not a bad episode, though.
It's okay. Not a fave of mine. This is one of those "Sometimes I wonder if Avery Brooks is just a really, really bad actor" episodes for me. I don't think he is, but he makes some weird choices for line reads/ intensity sometimes. His performance is a mess in this episode.
DeleteComparing to "Taste of Armageddon" is apt. And no question: one episode ("Armageddon") augments Kirk as a character, plays to Shatner's strengths as a performer; I'm not sure this one does either for Brooks/Sisko.
"In Purgatory's Shadow"/"By Inferno's Light" --
ReplyDeleteNeither of these is a favorite, necessarily, but I think the second episode is a good bit better than the first. It's all hampered by the fact that I just don't care about the Dominion, but I like all the stuff with Worf, and I even like Garak's scenes. For that matter, the reveal that Dukat is now the leader of all Cardassia is pretty satisfying.
However, I really don't like Avery Brooks' performance in the second episode. Dude seems asleep, or like he'd rather be someplace else. I like him in some episodes, and occasionally even love him; but boy, not in this one.
There is something really irritating about The Dominion. The Founders, too. The whole concept is just not fleshed out and when they do flesh it out it feels less believable rather than more.
DeleteI don't recall Brooks giving a somnambulant performance in the second of the two-parter, but that doesn't surprise me to hear, either.
Maybe it's not a lack of fleshed out so much as it is a not-adding-up. The whole Vorta/Jem-Hadar/Founders deal seems like it wouldn't translate to a space empire along the lines of the Mongols/ Buck-Rogers-Draconians.
DeleteI think that maybe what aggravates me about them is that they were introduced as an ultra-insidious, more-or-less-unstoppable force whose interests were diametrically opposed to those of the Federation and who were not going to be shy about putting their actions where their words were on that score. And that happened how long ago? It's an interesting idea, but it's also an inconvenient one for the show's writers, because actually dealing with it would mean that the show needed to stop and to refashion itself from the moment of their introduction into being about nothing other than that. Maybe a little sidestep here and there, but essentially the show needed to become 100% serialized at that point until that story was fully told.
DeleteInstead, it's clearly the sort of thing which gets brought up only when the writers feel like doing so, and they only feel like doing so occasionally. So every time the Dominion vanish from the story for episodes on end, I'm forced to think, well, if they're so bloody dangerous, why are they not working a little harder?
For that matter, why does the Federation not seem to be taking the situation more seriously? Shouldn't their entire fleet be stationed near Bajor until this is resolved? There's a compelling story there, if you choose to tell it, but what seems to me to be the case is that as soon as you begin telling it, you discover that televised Star Trek is simply not built to tell that sort of story. Because that's not what Star Trek is!
For me, the Dominion, the Founders, and that entire multi-season waste of time is just a reminder that purposefully railing against the status quo is not always a good idea. If your entire ecosystem as a production is designed to perfect and enhance the status quo, you're kind of a fool if you step away from it.
Even so, it's a fundamentally good series. There are occasional great episodes, and though I don't really love it on average, I do have a certain amount of respect for it.
You articulate the problem much better than I. hear, hear - every word of that. And yeah I like/ respect it fine, but I grumble at the Maquis/Dominion stuff. The reach exceeds the grasp. And like you say when the "grasp" of the franchise depends on a certain amount of verisimilitude at each level/ fidelity to the concept, it creates avoidable problems with each deviation. Those deviations are ripples in the water and they move away from the deviation with speed and force and hit everything in their paths.
DeleteDo ripples have paths? Or vectors? Or neither. It's been so long.
ReplyDeleteI'd ask Dawn but this is the time of morning where such questions can lead to a frying pan in the face.
Vectors seems right to me, but that's too close to math for me to feel confident. Best of luck not getting walloped.
Delete"Doctor Bashir, I Presume" --
ReplyDeleteI agree with everything you have to say here. Not a bad episode, though. That screencap of Quark checking out Leeta's rack is great.
I'd 100% forgotten that Dr. Zimmerman was in this, so it was a very pleasant surprise when he showed up.
I wish Picardo knew how much I want him to show up in basically anything I'm watching.
DeleteHell, maybe he does.
Okay, so you'll read about this at TTITL soon enough, but I got surprise-Picardoed twice in a row today. The DS9 episode was the second; the first was "Bates Motel," the 1987 tv-movie (actually a failed pilot) that attempted to televise the "Psycho" franchise. He has a small role as a -- yep -- doctor. A psychiatrist, in this case, but still.
DeleteMy next watch will be an episode of B5, so the streak ends at two. But even so, that's a good streak, and I will take such a one every time I can get it.
"A Simple Investigation" --
ReplyDeleteI'm glad I'm not the only one who thinks this one is gross. Odo's "bedroom eyes," ugh. I am sure there are folks out there who yearn to toil beneath the naked gaze of a heavily-prostheticked Rene Auberjonois, but I won't lie, they have my scorn.
I'd rather watch "Sub Rosa" twice than this one once.
The more I think of this episode the more I crack up at her fate, i.e. hooking up with Odo means you join a cult thereafter.
DeleteWatch, out, Kira!
I hope the Mission Log guys have some fun with that aspect of this one.
"Business As Usual" --
ReplyDeleteGood point about Cousin Gayla (sp?) not being as well-cast as most Ferengi. He feels like a throwback on TNG-era Ferengi, in some way I can't put my finger on.
Not a bad episode; the stuff with the baby is fine, but since that's outside my realm of experience it didn't land with me the way it probably would have otherwise. I like the tag with Worf where he actually remembers his own son for once.
Poor Alexander. He comes back in s6. Not Brian Bonsall, though. I don't know if he had begun his life of crime yet at the time of production, or not...
Delete"Ties of Blood and Water" --
ReplyDeleteWell, sir, unlike yourself I have seen Ghemor's earlier episode, and that being the case ... uh, well, actually this one bored the shit out of me too. It's just so manufactured. On the one hand, it's super emotional because of a contrived relationship -- they expect me to believe that Kira feels daughterly toward this guy just because she looks enough like the dude's real daughter that once upon a time, somebody gave her plastic surgery so she'd look like her? That's dumb. It works okay in that earlier episode ("Second Skin," from season three), but only because Ghemor thinks she IS his daughter; so half of the relationship feels earned, at least temporarily. Here, it's purely an invention of screenwriting.
And then on top of that, we're asked to accept the convenient parallel of this dredging up memories of Kira's real father dying.
Bleh. The acting is good, and I'd stop short of calling it a bad episode, but there are few moments in the entire thing that worked for me.
Invention of screenwriting indeed. Here and there, good moments, agreed.
Delete"Ferengi Love Songs" --
ReplyDeleteThis one never comes together, in my opinion. It gets by on the relative charm of the cast, but all things considered is a lukewarm plate of leftovers. Even so, it's fine; a pleasant enough way to spend 45 minutes.
Yep a bit of a misfire. And yet! I overrate each and every Ferengi episode, twould seem. I'm looking at my rankings for s7 now that I finished and have to adjust for personal bias... I truly am amazed this happened. I'd love to meet the Bryan of only five years ago and let him know in the future this happened with both the Ferengi and Neelix. I say this too much, but it's just genuinely such a surprise to me that I need to keep repeating it.
DeleteI have traditionally been highly resistant to the Ferengi, myself; especially Rom, who I actively like at this point. Still not too big a fan of Nog, though; I am holding fairly firm on that bias.
Delete"Soldiers of the Empire" --
ReplyDelete(1) I love this episode. Klingon-centric episodes don't always land with me, but there are quite a few that are top-notch, and this is among them. Totally agreed on the song; I'm imagining a big-budget version of this where they keep right on singing during the battle, so it's a montage of them laying waste to Jem'Hadar while singing at the tops of their lungs. Me likey.
(2) One *could* criticize this episode for feeling the need to have Dax in the mix. It arguably weakens Worf's arc a wee bit for her to be there urging him along. But I think it's possible to watch it and decide Worf would have come to the same conclusions eventually; Dax was just a bit ahead of him, because hey, she DOES know the territory, after all. And even if one wishes it had been more of a Worf-solo joint, Dax is so good in this one that I wouldn't care even if I tried to.
(3) I wish someone associated with NuTrek would hire LeVar Burton to direct. They've hired Frakes frequently, but Burton not once, and it baffles me. That guy knows Trek as well as anyone, and "Sons of the Empire" is one of the episodes where he proved it.
(4) I liked Sisko's one brief scene in this one, but it's yet another episode where the ostensible lead of the series is almost entirely AWOL. There are way too many of those.
(2) I can see that for sure. I'm with you, I think it works fine and Dax does well and Dax-and-Worf do well as a combo. How Martok Got His Groove Back.
Delete(3) Good point! I wonder what the deal is there. Does he still direct anything? I wonder about Robert Duncan McNeil, as well; he's directing all these "Resident Alien" episodes, why not a Picard or Discovery one? Ah well: I suppose there's no shortage of directors-for-hire.
(4) He does seem to disappear more than Picard (or Kirk, but TOS-cast is its own thing) ever did, doesn't he? Is it just the ensemble cast emphasis, or did he have a jazz piano gig that necessitated long absences from set? (insert scoob-be-doodly-wap-bop and brush hi-hat sounds)
I listened to the Mission Log episode about this one, and one of the co-hosts brought up a good point, which is that by all rights, Martok should have whipped out a disruptor and smoked anyone who questioned his commands. I suppose this can be chalked up to the weakness he is feeling, but still, I can't say I disagree. I still love this episode, though.
DeleteThat's a good point. Or he'd have had to fend off countless challengers to his weakened leadership.
Delete"Children of Time" --
ReplyDelete(1) This one is absolutely killer. I had a problem, though, with the need the episode seems to feel for Kira to be single in order for the stuff with Odo to take place. That feels wrongheaded to me; a minor complaint, though, because otherwise there is virtually nothing here to dislike. All the performances are good (Auberjonois especially, but I also really like Colm Meaney in this one, and often don't), and it's really just a vintage-Trek type concept, with execution to match, BUT with a side-serving of DS9's particular brand of darkness to go along with it.
(2) If the entire episode had been about Worf-the-wise-elder spending time with the Sons Of Mogh, that'd've been just fine by me. But Worf's best moment was the completely unfazed poker face he kept when O'Brien delivers that savage burn about not spending any time with Alexander.
(3) Could have lived without the scene in which a fake Quark is teaching the kids. I mean, just give Armin Shimerman the week off, guys; it's fine.
(4) This whole thing is prompted by a one-week recon mission to the Gamma Quadrant, but aren't these yahoos supposed to be staying out of the Gamma Quadrant? Here these happy assholes are risking war AGAIN, AND, by the way, all the top-shelf experts on the Dominion are off galavanting while there is a known threat of there being an invasion any day now. I guess in theory the treaty with Bajor eliminates that, but still, this seems like iffy staff scheduling at best. Even so, this is probably one of the best episodes of the entire series, and one that can stand proudly alongside the upper echelons of the entire franchise.
(2) Definitely!
ReplyDelete(3) and (4) Good points here. I agree, I can shrug off the logistic/ tactics problems, but they ARE there and you're absolutely right.
"Blaze of Glory" --
ReplyDelete(1) I never saw "Young Guns II," but I have the soundtrack (on cassette!), so the Jon Bon Jovi song got a lot of my eartime for a while there. I'm content with things staying as they are.
(2) This episode was a complete snoozefest for me. I do not care about the Maquis, or Eddington, or Sisko in this type of role, or Nog, or the Jem'Hadar, or, if this is the type of episode at hand, "Deep Space Nine."
(3) Am I crazy, or do they try a "Hey, you know what? Those Maquis weren't so bad after all" thing right at the end. Bleh, no thanks.
(1) Nice! I still have soundtracks for Fletch, Amadeus, and License to Kill on cassette.
Delete(2) Amen, and (3) Yep. They're always trying to do that, it seems.
"Empok Nor" --
ReplyDeleteAn O'Brien episode is always a hard sell with me, as is any episode with more than a smattering of Nog. Nor am I particularly a fan of Garak, despite how great Andrew Robinson always is.
So this episode didn't really do much of anything for me. Not bad, just not really my thing.
I seem to keep writing some variation of "Wow, I didn't realize I placed this one so high." And yet: here we are again.
DeleteI think I like the set-up of this one perhaps more than its execution. The more I think about it, it's merely good and it really should be capital-G-Great with the set-up it has and the talent involved. If I ever re-do these rankings (shoot me now) I'll have to adjust this one.
I can see how someone else would love it; it's involving, it just doesn't do much for me personally. So typical DS9.
Delete"In the Cards" --
ReplyDeleteI'm finding myself a bit resistant to this one, but for no good reason whatsoever. It's kind of a sweet episode, and the way it comes together in the end really does work pretty well. It put the cast to good use more or less across the board, which isn't too much of a surprise, considering one of them (Michael Dorn) directed it.
Where was Dax, though?
Good question, must've been a week off or something.
ReplyDelete"Call to Arms" --
ReplyDeleteI agree, this is a very good episode. I've still got my issues with it, because of course I do, but from a sheer entertainment standpoint, this is more or less exactly what you want from a season-ending cliffhanger. Heck, I'd say it's better than a few of TNG's, maybe. Not the good ones, of course, but it's better than, like, "Descent."
I like your scenario in which Moore is barely being reined in by everyone else, silently seething, quietly determined to show them ALL someday, the sonsabitches. And he did, didn't he?
He did, indeed. I kept waiting for someone to bring that up in that DS9 documentary. I bet Moore tried to.
Delete