Tonight: |
(1993) |
Bryan:
In 1993, Bruce did one of the old MTV Unplugged specials. Except he decided everything sounded better plugged in, so it was released as In Concert / MTV UnPlugged. It was received as tepidly as the double release the year before. How does it hold up? Let's have a spin.
I’m joined as ever by Bryant, our Man in Havana.
I’m joined as ever by Bryant, our Man in Havana.
Bryant: And I’m
Havana good time, BAH-dum-sssss!
Bryan: To Bruce and Beyond!
"Red
Headed Woman"
Bryant:
2.5/5 I mean, there's no getting around
it: this song is about Bruce eating Patti out. I mean, shit, okay. I
won't speculate as to what the "dirty job" is that requires a
redhead. This is a fun song, though, especially the Raising Arizona-style
yodeling at the beginning.
Bryan:
2.25/5 There's something a little icky about it. Which is weird
because if it was Skid Row or something I wouldn't think twice. There's
something about objectifying (or taking you into bed with, anyway) one's wife
vs. some random sex object. That said, it's a cool little tune and all. Perhaps
the sentiment could have been avoided altogether and the tune kept, I don't
know.
Bryant: Thinking
about it, I kind of agree with you about it being icky. I mean, sure, Bruce; I empathize with your
thesis here. But I dunno, man. Maybe keep that to yourself or
whatever? Just a thought. That said, for all I know, it might not
have a thing in the world to do with Patti. Might be an unused track from Asbury
Park, for all I know.
Bryan: Oh, it’s about Patti. Confirmed from
Bruce's mouth. (No pun intended.)
Bryant:
2.5/5 I'm guessing this was a tiny venue,
and maybe the intimacy helped the sound, or maybe Springsteen and his rented
band had worked some stuff out by the time they started playing these songs
live. Whatever the case, these new songs sound quite good live, at least
to me ears.
Bryan:
2.5/5 I like this song
less and less as the years go by, but this is a pretty good performance.
Bryant:
4/5 I'm guessing the E Street Band must have
played the rock version of this at some point. Whether they did or didn't,
this is the chronological debut of it within my personal Bruce collection, and
while it's not the stone-cold masterpiece for me that the studio version is,
it's still pretty fuckin' great.
Bryan:
2.5/5 Interesting
as always to hear a different arrangement, but I'm not a particular fan of this one.
That’s cool, though, that this was your entry point into the song. I love
pinpointing that stuff back there in the origin story.
"Darkness
on the Edge of Town"
Bryant:
2/5 In no way is this difficult for me to
listen to. It's not BAD, dig? But you can't ask a band of scabs to be the
E Street Band. And, granted, Bruce arguably doesn't ask that of these folks,
who do credible jobs in their own right and make it their own thing just enough
to keep this from feeling like blasphemy.
Bryan:
2/5 The Carlin
book gives an anecdote of the E Street Band touring with Sting for a little bit
and how Sting could sense Bruce just wanted to play with different folks. I
think about that when I hear this. Like, I get the impulse but, are you happy
now? Get it out of your system? Agree with your assessment. They do credible
work and the gospel singers are nice I guess but it's not for me.
Bryant: I like
that series of thoughts regarding Sting's perception of Bruce's wandering
ways. It's like, for fuck's sake, man ... you get lucky enough to wind up
with a life in which you get to play with the individual members of the E
Street Band, and you want to NOT do that for a while?!? It's like how cats
sometimes want to go outside and roll around in dirt and old leaves and whatnot.
You just look at them when they finish and think exactly those thoughts
("Are you happy now? Get it out of your system?") you
mention. Dumbass cat.
"Man's
Job"
Bryant:
1.75/5 I feel like a few of the songs on
this album actually improve on the studio versions, and this is one of
them. Still not exactly a favorite, though, and that backup singer needs
to shut up.
Bryan:
2.25/5 This one's at least the equal of the studio version, even
if it isn’t a favorite. The guitar sounds good - can't recall tell if it’s
Bruce or this Shane Fontayne dude. Maybe the background
singer is just continuing the Miami Steven tradition of warbly accompaniment.
Or maybe Bruce told him, “hey! You share this mic, you sing warbly and make
googly-eyes, you understand?”
"Human
Touch"
Bryant:
2.5/5 I'm giving this an equivalent score to the
studio version, because while I prefer the polish and passion of the studio
recording, I prefer the emotion and the wrapup of this live one.
Bryan:
2.5/5 Me, too. Although I
could skip it just the same.
Bryant:
2.25/5 A little ragged in places, but this
is basically a solid version of a better-than-solid song.
Bryan:
3.25/5 I seem to like this song a little more and “Human Touch” a little less than most people. Which is
the opposite of my impression of the albums to which these songs lend their names.
Bryant:
2.75/5 Here's another one that I like better
than the studio version. And I like the studio version of this just fine;
so this live version is thoroughly agreeable to me.
Bryan:
3.5/5 I prefer the studio myself. Such a sweet little tune. I
like the solo here, that heavy kind of distorted reverb (see out-of-control
solo from U2's "All I Want Is You" among others) always lands with
me.
"Thunder
Road"
Bryant:
2.75/5 As far as stripped-down versions of
"Thunder Road" go, you don't really need another one after that one
on the live box set. But the harmonica adds a dimension here that makes
this one worthwhile, if nevertheless significantly inferior.
Bryan:
2.25/5 It’s not bad. In
the same way I understand and approve of how he’s always going to keep
revisiting “Atlantic City,” I think he should’ve retired “Thunder Road”
somewhere along the way, maybe make the Live
75-85 version the definitive curtain call. I think so many versions of it
dilutes it a tad.
Bryant:
Okay, so ... first, an
admission: I'm not sure I knew this apart from this album. Maybe I heard
the Joan Jett original (or cover, however you refer to one of these songs Bruce
gave away) at some point, but I don't think so. I think maybe I thought this
was just a Human Town (Lucky Touch?) castoff that he decided to
include on this live album. Whatever the case, I hereby award it a 4.25/5,
because this shit is great. Thanks to YouTube, I also just checked out the
Joan Jett video, and it's good, too. But this live version is terrific,
with a classic revival-tent-Bruce sermon in the middle of it.
Bryan:
4.25/5 Great tune - might have come together a bit more as a
performance. Is there an E Street Band version? The drums seem to lose it a
couple times here but until I hear a better version this score is more for my
love of the song more than this performance. I downloaded the movie and keep
circling it. That middle section, man - Bruce as The Rev Charlie Jacobs!
Bryant: If my research has not failed me, there IS an E Street version of "Light
of Day," but it's never been released, or even leaked. (I mean,
Jesus, WHAT ELSE is out there?!?) Here's
one with him guesting at a Joan Jett concert; it's not awesome, but boy is Joan
Jett hot in it. Which is weird on account of how mannish she is. Huh. Oh,
well, I stand by it, and remain
determined not to examine the allure mannish women sometimes hold for me. Here's one with the Band in '88. I was
thinking it was pretty good, and then Clarence comes running out in a light
yellow suit doing his thing and vaulted it into a whole other category. Then Bruce screeching
toward the end knocked it back down a notch. Good stuff, although the
video quality is poor.
Bryan: That E Street version rocks! Agreed on that Joan Jett performance. While we’re sharing, here's one from a couple of months ago, featuring none other than Marty McFly on guitar. (I'm sure afterwards he was told he was just too damn loud.) Good flyby review of the movie here for interested parties. This cover of "Boom Boom" was in the suggested listening on the right of that link - it's pretty awesome as well.
Bryan: That E Street version rocks! Agreed on that Joan Jett performance. While we’re sharing, here's one from a couple of months ago, featuring none other than Marty McFly on guitar. (I'm sure afterwards he was told he was just too damn loud.) Good flyby review of the movie here for interested parties. This cover of "Boom Boom" was in the suggested listening on the right of that link - it's pretty awesome as well.
Bryant:
I try to look at YouTube's
suggestions with only one eye open, because if I didn't, I'd be afraid of doing
nothing but watching Bruce performances.
Bryan: Just a few quick words on the movie from here: "In the late 1970s, screenwriter Paul Schrader began writing a script titled Born in the U.S.A., and he asked Bruce Springsteen to write a song for the film. The script sat on Springsteen’s table until one day, while working on a song called “Vietnam,” he noticed Schrader’s script, sang the title, and “Born in the U.S.A.” became the hit title song of one of Springsteen’s best-selling albums. Springsteen eventually wrote a new song for the script, which Schrader renamed Light of Day (1987)."
Bryan: Just a few quick words on the movie from here: "In the late 1970s, screenwriter Paul Schrader began writing a script titled Born in the U.S.A., and he asked Bruce Springsteen to write a song for the film. The script sat on Springsteen’s table until one day, while working on a song called “Vietnam,” he noticed Schrader’s script, sang the title, and “Born in the U.S.A.” became the hit title song of one of Springsteen’s best-selling albums. Springsteen eventually wrote a new song for the script, which Schrader renamed Light of Day (1987)."
Still never seen it. I need to change that. |
"If
I Should Fall Behind"
Bryant:
3.5/5 Yet another I prefer in its live
guise, although the true masterpiece version of it wouldn't show up until
another live performance a few years hence.
Bryan: 3.25/5
Probably works a little better live but not by a
whole bunch.
"Living
Proof"
Bryant:
2.25/5 Good energy on this one.
Bryan:
I’d say this is a good
example of a spirited performance of a mediocre song. Or a song that fails to
ignite with me, spirited performance or no. 2.25/5 sounds about right.
Bryant:
2.75/5 It's close to being as good as the
studio version.
Bryan:
3.8/5 Agreed.
FINAL
THOUGHTS
Bryant:
35.75 total, 2.75 average. I
was worried my math was somehow going to put it ahead of the live box set or
something stupid like that, but it's nearly a full point behind. It's a
point ahead of Human Touch, though, and that seems about right to
me. Good stuff.
Bryan:
Total 37.06 Avg. 2.85 How
did I end up ahead of you on this one? I don’t have the highest opinion of it, but it’s not a bad one, just nothing I’d reach for over,
say, Live in Dublin or Live 75 – 85.
Bryant: The video version apparently has an
additional six songs, but since I don't have that, I can't talk about them. I would be curious to see if this concert
could convince me to like "The Big Muddy" and/or "Local
Hero," though, so maybe I'll see that one of these days. Once I do I will update us all
via the comments.
PERSONNEL
I've been skipping this one lately and probably will go back to doing so. But figured this one deserved a roll-call, given the number of non-E-Streeters making their mark on the Boss discography.
Bruce Springsteen – lead vocals, lead and rhythm guitar, harmonica
Bruce Springsteen – lead vocals, lead and rhythm guitar, harmonica
Zachary Alford – drums
Roy Bittan –
keyboards
Shane Fontayne –
lead and rhythm guitar
Tommy Sims – bass
Crystal Taliefero
– acoustic guitar, percussion and background vocals
Gia Ciambotti –
background vocals
Carol Dennis –
background vocals
Cleopatra Kennedy
– background vocals
Bobby King –
background vocals
Angel Rogers –
background vocals
Bryant:
Human Touch 1.7
Lucky Town 2.15
In Concer / Mtv
Plugged 2.75
Greetings from Asbury Park 2.75
Tunnel of Love 3.35
The River 3.39
The Wild, the Innocent, and
the E Street Shuffle 3.68
Live ’75 - ‘85 3.7
Born to Run 4.35
Darkness on the Edge of Town 4.4
Nebraska 4.63
Born in the USA 4.88
Bryan:
Lucky Town 2.15
Human Touch 2.84
MTV Plugged 2.85
The Wild, the Innocent, and the E Street Shuffle 3.43
The River 3.71
Tunnel of Love 3.8
Darkness on the Edge of Town 3.82
Live ’75 - ‘85 4
Born to Run 4.41
Nebraska 4.5
Born in the USA 5.44
Re: Light of Day - I may have told you this before, but my late, lamented pal Dennis Vecchio was in a band called the Pelicans back in the '80s here in the Cleveland area. That band appears as a bar band in the movie Light of Day. He told me they even got direction directly from Schrader himself.
ReplyDeleteNo kidding! That's fantastic. I take it you've seen it then, how is it? I'm hit or miss with Schrader.
DeleteIt's been forever, and it didn't make an impression. It was cool that he was in it for a moment, but that's the only notable thing for me.
DeleteJeff, I'd forgotten entirely about this comment but just saw this again tonight and bumped the damn movie up the queue. I'd like to see the bar band scene. It's a cool connection.
Delete