4.10.2021

These Were the Voyages, pt. 3


I mentioned this story in the first of these posts. For years I had a vague memory of a Saavik origin story I read someplace but could never find mention of it anywhere. I re-read the novelizations of TWOK and TSFS, thinking what I half-remembered reading would be in there, but no luck. I looked through a few of the Saavik-appearing Pocket Books, but nothing rang a bell in there either. It was tough because the only details I could remember were “Saavik origin story” and (if pressed) “something about Xon, maybe? I don’t know.” (For many years, even knowing who Xon was marked you as a certain "belt" of Trekkie. Alas, no more.) 
I remembered her being half-Romulan, and that is mentioned, if memory serves, in the novelizations, but that was it.

Well, whaddya know? Here it is in Star Trek #7 and 8, published August and November, 1984. I love when that happens.



The two-parter opens with Enterprise's science officer trying to hide the symptoms of her Vulcan blood fever. 


Pon Farr! It's not just for dudes.


Kirk and Bones, having some small experience in this aspect of Vulcan biology, assure Saavik she can count on them, and divert course for Vulcan. Saavik tells them about her childhood as a Romulan street urchin, orphaned and left to die in an abandoned colony, her half-Vulcan nature making her unwanted. She was found by Starfleet, more specifically Spock, who brought her home to Vulcan and adopted her into his family. Sarek and Amanda raised her and in her time of joining she was betrothed to Xon, the Vulcan created for the aborted Phase II project.



Unfortunately, Xon – whose Pon Farr is tempered by Saavik being his second bonding and is therefore not as intense – is in deep space on a secret assignment for the Vulcan Science Council: creating super-soldiers!


This whole part is a little hazy, but yeah, Vulcan and Romulus are working together on some kind of super-soldier project, but it’s gotten out of hand. When Xon objects, the Romulans turn on him and torture him.


Xon's pretty ripped!
And the Romulans have apparently joined Marvel's Serpent Society. 

Luckily, Saavik – “out of her mind with the blood fever!” as Kirk recounts helpfully; he knows it's called Plak Tow, why's he pretending? While we're here, the scene in Free Enterprise where Mark gets caught up in summarizing "Amok Time" and an exasperated Robert cuts him off ("I am perfectly aware of the events in "Amok Time...!") forever cracks me up – steals a ship and goes after Xon, saving him from death and the galaxy from the super soldiers. The Enterprise pursues and saves everyone. The pursuing Romulans are destroyed in a nebula that Kirk uses to his advantage, as he often does.

Saavik and Xon are left to get on with it, then. 


And then it’s back to Vulcan for Xon.

Well! Not bad. It’s interesting how elements of this origin were lifted or altered for other characters in the franchise (Ensign Ro, Sybok, Discovery, etc. although it’s well known that Sarek is the Kevin Bacon of Vulcan degrees of separation, Discovery or no Discovery). 

Pon Farr was of course returned to in Voyager, twice. So far in eight issues we've revisited "Amok Time," "The Savage Curtain," "Errand of Mercy," "A Taste of Armageddon," and "The Omega Glory."

LEFTOVER PICTURES


"Out of her mind with the BLOOD FEVER!" is worth the price of admission right there. 

"I am PERFECTLY AWARE of the plot of "Amok Time"...!"

Oh David - so eager to die. 


NEXT:
The adaptation of Star Trek III: The Search for Spock

11 comments:

  1. (1) "For many years, even knowing who Xon was marked you as a certain "belt" of Trekkie. Alas, no more." -- I miss that. I wouldn't vote for it to come back -- I'm okay with the democratization of this type of knowledge (even though it does result in a certain amount of poserdom) -- but I do miss it.

    (2) I will spare all of us any of my thoughts about Kirstie Alley's Saavik going into pon farr, but rest assured, I have them.

    (3) I don't believe I read either of these comics; not one word of it sounds familiar to me, especially the involvement of Xon. And I feel certain I'd have had at least a dim memory of that, since the "existence" of that character utterly fascinated me. I'm looking forward to it now, though!

    (4) The Romulans here look pretty goofy, but at least it's a choice, I guess. I don't know that any iteration of Trek beyond TOS has done well in depicting them.

    (5) That bass riff is kind of bad-ass, isn't it?

    (6) I like the look of the art in this one, especially that "Amok Time" panel.

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    1. (1) Agreed. It's like Raymond Bensen said about being the author of the James Bond Bedside Companion: at one point in time, such things earned him some cachet, but now he's just another guy who's wrong on the internet. But, like you say, the democratization of info and knowledge has its pros and cons, but I do like the pros.

      (2) I kept typing and erasing attempts at some kind of Saavik-Pon-Farr-everyone-sat-up-and-paid-closer-attention sort of joke but couldn't make it work.

      (4) Why does everyone go so daffy with Romulan designs? They haven't looked right since "Balance of Terror," practically.

      (5) Indeed.

      (6) Yeah Tom Sutton had some skills! I looked him up finally: long career in comics illustration, although the older style/ professional.

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    2. * Raymond Benson, not Bensen.

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    3. (1) R.B. is right by any name.

      (4) I like them pretty well in "The Enterprise Incident," and there are actually some good designs in "Picard" (not that they help). Beyond that, it's a sore spot for an entire era of Trek with me.

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    4. (4) Oh right re: "Enterprise Incident," duh. Although they mostly stuck with the "Balance of Terror" design, there, didn't they? For the uniforms I mean. As Spock helpfully points out for their ship "The Romulans are using Klingon designs now..."

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    5. What a silly cost-saving maneuver that was! Great episode, though, so I only mind so much.

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    6. It's difficult to understand some of the cost-savers they did. This next one is less noticeable, if at all, these days, but there used to be differences in the syndication cuts vs. the originally-aired (laser disc) version, where often times the extra time was just the same facial expression, just run backwards. Someone (probably in one of the Nitpickers guides) added up how much screentime such shenanigans ate up and it was a handful of minutes, maybe, strewn over 73 episodes, but good lord, what'd they save, sheesh? Still, it re-enforces how different an era it was. Every second the camera ran film was money; if you saved the production a few inches of film to develop, that probably added up in aggregate.

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    7. And to think current episodes of "Discovery" or "Picard" cost somewhere in the range of $10 million each!

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    8. (1) You call it democratization. However, based on simple observation, I'm afraid the correct word more along the lines of devaluation. I'm starting to wonder if someone should create an actual time Delorean, and make it mandatory that all newborns must spend a great deal of, say, their first five years living every other day in the years when the 80s were releasing their best stuff. That kind of implanting seems to guarantee a better respect for the arts, it seems.

      (5) You know what, screw it. This comic is enough to leave open the idea of a "Trek" show where it really is Saavik as captain of her own Starfleet ship. The big difference is this time it's actual Trek, dammit!

      (Sighs) A guy can dream right?

      ChrisC.

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    9. (1) Possibly! 80s kids were in a sweet spot, to be sure.

      (5) I'd watch it. Not by anyone running Trek now, but by someone who actually loves the franchise. But I'm being mutually exclusive...

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    10. (5) Just for the fun (or desperation?) of it. Try and imagine the dynamics of such a show. How would an actual Vulcan in command of an entire crew handle the demands required for dealing with a ship full of varying species, a great deal of which are probably non-human like yourself. And yet, with the single exception of your own kind, the rest share the same trait of remaining frustratingly illogical.

      I believe that drama was the key requisite for both story and character. The outline given above is just that, nothing more. The irony is provides a base for all kinds of character plot potential. If only, though.

      ChrisC.

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